Category Archives: Blog

Horror Story Contest + Creative Writing Prompts

I’ve teamed up with my local library to judge a horror writing contest with my partner, Lori Michelle. 1st prize gets you $50 and publication in our magazine, Dark Moon Digest. 2nd and 3rd will receive Amazon gift cards and complimentary copies of DMD. Details on how to register can be found here.

It is free to enter, of course. Any contest that requires money up front from writers is immoral. Same goes for regular anthology and magazine open calls. Submission fees will forever be bullshit. Money should go toward the writer, not the other way around.

While I have you, however, I will advertise something that does cost money. Over on our Patreon, I give out a monthly creative writing prompt. Patrons then write up a short story and email it to me. I read every story and offer editorial notes. I do not publish these stories. I only edit them. What you do with the story afterward is entirely your choice.

My usual editing fee is $0.01 per word. With these Patreon prompts, however? It’ll only cost you $5 a month. There’s still a little time to join August’s session.

KillerCon 2019

The most wonderful time of the year has once again arrived. This weekend in Austin, TX hundreds of indie horror writers will celebrate the genre at KillerCon. Lori Michelle and myself will not only be attending, but we’ll also have a vendor table selling various books we’ve published through our small press, Perpetual Motion Machine. Our latest anthology, Tales from the Crust: An Anthology of Pizza Horror (which I co-edited with David James Keaton), will see its book launch at this event. If you aren’t coming to KillerCon and still wish to purchase the anthology, do not fear: we are still offering pre-order options over in the PMMP webstore.

If you’d like to see me read at KillerCon, I’m scheduled to give a reading on Friday at noon. I think I’ll probably perform a recent story I wrote specifically to give at readings called “The Silent Disco”, which you can hear me read over on Patreon. Otherwise I’ll be bouncing around our vendor table and the bar.

One more update before I leave you: I have sold my sixth novel, Touch the Night, to Cemetery Dance. They will be publishing it as an ebook and limited edition hardback sometime in 2020. Stay tuned for further updates as they arise.

Every book I’ve written

Over on Facebook, writers are listing every single book they’ve written. There is no real reason for this other than it’s a neat form of procrastination. I enjoy distractions, too, so now I am also doing the thing. Does this mean I easily give in to peer pressure? Yes.

Here is a list of every book I have ever written:

Majestic [unpublished] — This is the first novel I ever finished. I was 13 and we were bouncing back and forth between hotels and my grandparents’ house. I had been interested in writing years before this, having knocked out various short stories and DIY comic books, but this was the first actual book I completed. It clocked in around the 100k mark and was pure fantasy, a genre I no longer care much about. I was big into The Hobbit at the time and it definitely showed in this book. Ditto for Chronicles of Narnia. The most I can remember about the plot is it involved a character the same age as myself traveling to a mystical land to save his niece from evil. The casino my mother frequented, the hellhole that ruined my childhood, is called the Majestic Star, if you’re wondering where the book’s title comes from.

Conspiracy [abandoned] — Between ages 12 and 16, I lived in a hotel. Sometimes we stayed at my grandmother’s house when we could no longer afford our room, and every couple weekends I’d stay the night at my brother’s trailer. This is where I first tried alcohol. Age 14, drunk off Jameson and watching a forgettable film, I got the greatest idea in the world: what if every conspiracy theory in the world was…true? I set off to handwrite the greatest book of all time. I filled one 70-page notebook and immediately lost interest.

Taking Lives with .45s [unpublished] — Also written during my hotel years. This one clocked in around the 40k mark, I think. It told the story of a kid my age with my same mannerisms who begins taking an interest in serial killing. I may have been reading way too many true crime books back then (now I just listen to true crime podcasts). Of everything I’ve ever written, this is probably the most embarrassing.

Zombie Punks [unpublished] — Sometimes I think about trying to rewrite this one. I wrote it when I was 16 for NaNoWriMo. It’s about a guy in a punk band who pays his rent by letting some weird scientist perform experiments on him. Somehow he finds himself impregnated with an alien creature. Also I think maybe a witch is involved?

True Stories Told By a Liar [published] — I was 19 and noticed some Australian small press asking for book submissions. Specifically, story collections. “I have written short stories!” I screamed to nobody, and immediately emailed a messy word doc compiling every story I had written in my teenage years. It was accepted the next day and published a month later. I was extremely proud and stupid. The press refused to publish the book as an eBook because “things get confusing when you live in Australia”. A year later I realized I had made a terrible mistake and requested they remove the book from print. They obliged and now we shall never speak of this collection again. Still, though, killer fucking title, right?

They Might Be Demons [published] — When I was 17, I joined the staff of Dark Moon Digest as a volunteer editor. I knew nothing about anything, and I will forever be grateful to Stan Swanson for introducing me to the horror lit scene. It changed my life for the better in so many ways, I couldn’t possibly list them all here. In addition to the magazine, Stan also published books via Dark Moon Books. He had this idea of releasing collections of flash fiction, each collection written by a different author. I loved this and came up with a concept that involved every story in the collection taking place in the same town, on the same day. Back then I thought of it strictly as a collection, but the more I think about it now, maybe it was more of a mosaic novel. Who knows? Anyway. The book was called They Might Be Demons and it remains one of my favorite titles I’ve ever come up with. Too bad the book was terrible! It was published in June 2013, one month shy of my 20th birthday. It is currently out of print and I aim to keep it that way. Nowadays, Lori Michelle and I control complete ownership over Dark Moon Digest, and editor Eric J. Guignard owns Dark Moon Books. Stan’s still writing, but he’s slowed down a bit to focus on his music aspirations.

Toxicity [published] — It’s hard to pinpoint when I wrote this book. I have clear memories of beginning the very first draft back when I was 12, before we’d abandoned our house completely but after it had lost power that final time. We’d stay in hotels then when we ran out of money, my father would drop my mother and myself off at the house and we’d bum around. There was no electricity, so we sat out on the porch a lot. I went through my mother’s collection of books over and over, finding titles I’d never noticed before. This is how I discovered Richard Price’s Clockers, which introduced me to crime fiction. I was already a huge fan of crime films but had never read a book in the genre and it made me hungry to try something myself, so I pulled out a notebook and began the opening pages of a novel titled Jericho. A family much like my own family wins the lotto, becomes spoiled slobs, then multiple criminals break in on the same day to rob them. Throughout the next several years, I would frequently return to the manuscript as my own writing abilities strengthened and rewrite it. At one point I changed the title from Jericho to Black Cadillacs, but whenever I told people about the book they would all act very confused about the title, so I changed it again, this time to Toxicity. It was eventually accepted by Post Mortem Press, a small publishing company based in Ohio. They released it in March 2014, four months before my 21st birthday. I don’t think this book holds up very well and sometimes I think about rewriting it, but what’s the point in stressing over it? I’d prefer to focus on new books and leave this one behind. It isn’t complete trash but it’s definitely cringeworthy.

The Mind is a Razorblade [published] — This was another NaNoWrimo book, written when I was 17. I’d originally titled it Oblivion but would later change the title after hearing “Heartbeats” by Jose Gonzalez (which itself is a cover of a song by The Knife). Like most of my published books, this one went through many rewrites. It was eventually published in 2014 by Kraken Press, only a couple months after Toxicity. I was 21 by then. Looking back, 2014 was a very good year for me.

Float On [abandoned] — I dedicated so much goddamn time to this book and it’s never going to work the way I want it to. I was 18 and living alone in my first apartment across the country from my entire family and working at Walmart and killing myself for shit wages. I was hungry to create and this is what I thought was worth my time.  It’s about a guy recently diagnosed with cancer who meets a traveling group of immortal monster hunters. There’s just not enough story here to make it worth the effort. I’ve probably written 100,000 words on this thing and it’s all a rambling mess. In five years I’ll probably try rewriting it again and give up six months afterward. It’s doomed.

How to Successfully Kidnap Strangers [published] — I wrote this in an insane two-week sprint. It’s about a small press author who kidnaps a book reviewer while high on meth. I still really like this one. Bizarro Pulp Press published it in 2015.

The Nightly Disease [published] — I have written far too much about this novel in previous blog posts. To quickly catch you up to speed: I wrote it while working the night shift at a hotel. DarkFuse published it in the last fucking week of 2016, then went bankrupt six months later and refused to pay me royalties. I then self-published it under my own indie press, Perpetual Motion Machine. This is the best book I’ve written that is currently published.

Carnivorous Lunar Activities [published] — This one comes out 02/22/19, just a couple weeks away now. Fangoria’s publishing it. It will be my fifth published novel (not counting They Might Be Demons). In July I will be 26. I have no idea what the fuck I’m doing.

Who Will Survive and What Will Be Left of Them [unpublished] — This is the latest book I finished. It clocks in at 113,000 words. It’s about missing children and demon cops. I like to describe it as “Stranger Things meets The Texas Chain Saw Massacre“. The title isn’t official yet, but it’s one I’ve been using with submissions. Two other possible titles: The Evocation of Mother and Touch the Night. I don’t know which of these three titles are best or if any of them are good at all. Right now I’m just submitting the book out to agents and small presses, seeing what kind of nibbles I might get. So far, it isn’t looking very good hahaha.

Casanova Curbstomp [work-in-progress] — One of three novels I’m currently dedicating my novel-writing time to. This is a crime comedy about a Little League umpire addicted to internet pornography. I’m about 16,000 words into the first draft.

I Believe in Mister Bones [work-in-progress] — The second novel I’m working on. I don’t want to say much about this one as the concept is too cool to spill so early. But I will say it’s very much in the horror genre.

Expect Radioactivity [work-in-progress] — This is a science fiction horror novel I’ve been working on for a while now. I haven’t made a lot of progress, writing-wise, but I’m deep into research and outlining. This one is kind of complex and requires me to be smarter than I realistically am, so I’m trying to educate myself a little bit more before I fully dedicate to the writing. It’s gonna be fucking rad, though, if I can pull it off.


 

NOTE: There are almost definitely other books I have abandoned that are not listed here. Thankfully, I have already forgotten they once existed, which is probably the way it’s meant to be.

CARNIVOROUS LUNAR ACTIVITIES – Cover reveal, interviews, reviews, upcoming readings, etc

This month has seen many updates about my upcoming novel with FANGORIA, so I thought it’d be a good idea to do a post rounding up everything recently released.

First, in case you missed the news, FANGORIA will be releasing my new novel, Carnivorous Lunar Activities, on February 22. It’s a werewolf horror comedy about two childhood friends. Here’s the official market copy:

Ted and Justin were once best friends, but over the years they’ve seen less and less of each other. Now, something’s wrong with Justin. He can’t sleep, he can’t think straight, and he certainly can’t explain why he keeps waking up naked and covered in blood. Ted might be the only person who can save him– assuming he’s okay with shooting his childhood BFF with a silver bullet. But that’s what friends are for, right?

From Max Booth III and FANGORIA comes Carnivorous Lunar Activities― the ultimate werewolf bromance. It’s a toxic cocktail of An American Werewolf in London, Old School, and Bubba Ho-Tep that dives deep into the well of childhood nostalgia, blood soaked horror, and irredeemable dick jokes to bring readers a slice of Southern Fried horror that proudly wears its heart―not to mention a few other internal organs―on its sleeve.

Dread Central was kind enough to host a cover reveal. Read their post HERE, or just take a look at the cover below:

Carnivorous CoverThe artwork was created by the very talented Andy Sciazko, and the rest was designed by the awesome Ashley Detmering.

Here is an article I wrote for Ink Heist about the cover, which goes into detail about its inspiration and evolution from sketch to final design.

And here is the complete cover jacket…

carnivorousfullwrap

I have been the subject of multiple interviews lately to promote the novel. Some of them via audio, a couple in video format, and of course some text-based ones. Let’s go ahead and get into them…

 

The novel has received two official reviews so far.

From Dead End Follies: “Carnivorous Lunar Activities features meat, toxic masculinity, precisely one werewolf and in good Boothian fashion, it’s like nothing I’ve ever read before.” [READ THE FULL REVIEW]

From The Scariest Things: “Booth III expertly plots the story with equal parts humor, gore and dick jokes. The style of dialogue between Justin and Teddy really resonated with me. I could hear their voices in my head as I got to know them and their sense of humor mirrors my own so the jokes really landed.  I found myself laughing out loud throughout the narrative and cringing at Booth’s graphic and gross description of the carnage.  Even with all the dead bodies piling up, at its heart this is a story of friendship and the lengths you may be asked to go for an old pal.” [READ THE FULL REVIEW]

The novel has also gotten some pleasant endorsements from other authors and editors who have read it:

“Booth’s book is a breakthrough, from the conceit to the delivery. It’s funny but mean, smart but smartass, and it just might be your favorite werewolf story in the world. Carnivorous Lunar Activities starts out like a play, Grand Guignol, a couple of very compelling characters locked in a helluva conversation, before transforming into a blood-bright explosion of horror joy. Fucked up love, fucked up friendship, and how maybe you shouldn’t live past the best night of your life. Oh, how I loved this book.” —Josh Malerman, author of Bird Box

“What I like about Max’s point of view is when he looks at something familiar – something you or I might have seen dozens of times and not give a second thought to – he comes up with a whole new way of seeing it, in the process causing you to reconsider your own perspective. That fresh pair of eyes is on grand display in Carnivorous Lunar Activities.” —Phil Nobile Jr., Editor-in-Chief of FANGORIA

“This book is a fucking blood-thirsty joy and if it’s not made into a movie in the next couple of years, I’ll eat my hat. Luckily, I don’t own any hats, but you get the idea. It’s about two friends. One happens to be chained to an anchor in his own basement – yes, an anchor – and he’s a werewolf. The other guy has got a whole other set of problems. There’s another Max walking around out there with the last name, but Max Booth is the literary inheritor of John Landis’s mantle and Carnivorous Lunar Activities could be the sequel to the comic-tragedy of An American Werewolf in London. This werewolf romp is a howling good time. (Sorry, couldn’t help myself.)” —John Hornor Jacobs, author of A Lush and Seething Hell

Carnivorous Lunar Activities is laugh-out-loud funny with dialogue that’ll make even the most seasoned writers jealous. Joe R. Lansdale meets An American Werewolf in London with a splash of Michael Haneke’s Funny Games. Carnivorous Lunar Activities is a must for all horror fans.” —Michael David Wilson, This is Horror Founder

“Fun and ridiculously propulsive, a chatty, earthy, lived-in horror for fans of Landis and Lansdale.” —Meredith Borders, Managing Editor of FANGORIA

There are multiple outlets available to pre-order Carnivorous Lunar Activities.

You can go through your local bookstore via Indiebound, you can hit up Barnes & Noble, or you can snag a copy via Amazon.

If you’re in Austin on February 19th, I will have copies for sale at Noir at the Bar at Radio Coffee and Beer. A buncha crime writers will be reading some groovy crime fiction, including myself, Harry Hunsicker, Mike McCrary, and more to be announced! [EVENT PAGE]

And, if you’re in Dallas on February 23rd, please come down to Deep Vellum Books, where I’ll be hosting an official book launch for CLA. I will be doing multiple readings here. There will also be a Q&A and book signing and probably other stuff? Look. It’s gonna be fun. I want to see you there. Please come. [EVENT PAGE]

Fangoria has acquired my new werewolf novel: CARNIVOROUS LUNAR ACTIVITIES

Hi. It’s been a while since I’ve had any book news, so here is some book news: Fangoria has acquired my new novel, a werewolf tale about friendship titled Carnivorous Lunar Activities. Here the announcement video they posted last week.

If you somehow missed it, Fangoria recently relaunched and their first new issue will drop in October. Along with the magazine, they also plan on releasing a series of horror paperbacks under a Fangoria Presents! line. My novel will join what is already a great roster of upcoming titles.

Here is what Josh Malerman, author of Bird Box and Unbury Carol, had to say about the book:

Booth’s book is a breakthrough, from the conceit to the delivery. It’s funny but mean, smart but smartass, and it just might be your favorite werewolf story in the world. CARNIVOROUS LUNAR ACTIVITIES starts out like a play, Grand Guignol, a couple of very compelling characters locked in a helluva conversation, before transforming into a blood-bright explosion of horror joy. Fucked up love, fucked up friendship, and how maybe you shouldn’t live past the best night of your life. Oh, how I loved this book.

 

Current release date: February 22, 2019.

A History of Hotels

The following essay is an introduction I wrote for the reissued edition of my novel, The Nightly Disease. Purchase a signed copy directly through my webstore (recommended), or Indiebound, Barnes & Noble, and Amazon.


the nightly disease reissue

“A HISTORY OF HOTELS”

1983

The steelworker purchases a hotel with two of his coworkers. According to one of the men, there’s no way in hell this won’t make all three of them very wealthy. He frequently approaches the other two with get-rich-quick schemes, and they always, without doubt, fail. The aftermath of a disastrous greyhound sponsorship remains lingering in their memories like the ashes from an arson. Abandoned Amway products litter each of their residences. What makes this hotel idea any different, no one can quite say, but the steelworker goes along with the plan nonetheless. Later, when asked why he agreed, he will say: “I don’t know. That’s a good question.”

This choice will trigger a chain of events that will result in the steelworker, almost a decade later, penetrating a woman with his penis and impregnating her with what will eventually evolve into the author of the novel you currently hold in your hands.

The hotel is located on the corner of 119th Street and Atchison Avenue in Whiting, Indiana. It’s called The Illiana, a term often used to describe the general area bordering Illinois and Indiana. The location leaves much to be desired. Bikers and drug addicts quickly start favoring the hotel bar as a preferred hangout spot. Every guest is a potential meth freak capable of murdering the front desk clerk and running off with whatever’s in the register. Space exists in the building for a nice restaurant, but none of the three owners ever take advantage of the opportunity and the room remains empty for the entire six years the building lasts in their possession.

The steelworker and his two coworkers continue working at the mill while sharing shifts running The Illiana. Will the hotel eventually start feeling like a smart business decision? No. It will never feel like that.

1984

The woman who will go on to become this author’s mother walks into The Illiana’s bar with her fiancé. The steelworker who will go on to become this author’s father serves them their drinks, and tells the woman he just returned from a trip to Jamaica, and he’s curious if she’d like to join him next time he goes. The woman doesn’t respond at first, since she’s positive he’s fucking with her, but the steelworker is sincere. He wants this woman he’s only just met to leave the country with him.

“Well? What do you say?” says the steelworker.

“What the fuck? I don’t even know you,” says the steelworker’s future wife, and her and her fiancé leave the bar. Later that night, her fiancé will tell the woman she is forbidden from ever returning to The Illiana, and a few months later, the woman will break up with her fiancé and apply for a job at the hotel. In the afternoons she will work at a hot dog stand, and in the evenings she will work the front desk. At home are her two sons, being watched by their grandparents. These dumb little babies have no idea their mother is in the process of getting to know their future stepfather.

1985

The steelworker and the new front desk girl decide to get married.

1989

The three owners of The Illiana declare bankruptcy and give up on their dreams of running a hotel.

1993

I am born inside of a hotel. A storm outside prohibits my parents from driving to a hospital. The night auditor on duty is burdened with the responsibility of delivering me into this cold, unforgiving world. He has my mom lay down on the floor in the lobby and he tells her to push, goddammit, push. A line grows at the front desk. People wanting to check-in. Guests demanding pillows, blankets, you name it. Everybody in the hotel is suddenly inconvenienced by my life. After I am free, the night auditor wraps me in a blanket and kisses my forehead and whispers into my ear: “I pass the curse onto you. I pass the curse onto you.”

I’m just kidding. I was born in a hospital somewhere in Hobart, Indiana. But imagine if that really happened. Holy shit.

2003

I am ten years old and going on my first real vacation. Orlando, Florida. Disneyworld. Universal Studios. Islands of Adventure. Daytona Beach. My father stays home. My grandmother on my mother’s side is treating us to this trip: me, my mother, my nephew, my niece, and my half-brother’s half-brother. Only my grandmother has a driver’s license. It takes us two days to reach our destination. Along the way, we stop at a Days Inn and I sleep in a bed with my mother and my nephew. The next day we make it to Orlando and check in to our new hotel. I don’t remember the name. We are all excited to start the vacation. After we check-in to our room, my grandmother informs us today everybody must attend a meeting with her. “We’re going to a timeshare presentation,” she says, “since they were kind enough to help discount our room.” Somehow, she forgot to mention this until right now. It is at this time that I decide I hate my grandmother. I hate her for sneaking this on all of us. I hate her for being a liar. I haven’t yet learned that everybody on this planet is a liar. I haven’t learned that lying is the only way people survive. Later, when I am an adult with my own family, I’ll think back to this trip and realize I would have done exactly the same thing if placed in her position.

2006

I am a few months shy of thirteen. The mold in our ceiling has started spreading like an infection. A hole in our living room remains open like the eye of a conspiracy theorist. I rent Kiss Kiss Bang Bang and Chuck Palahniuk’s Survivor from the library. I watch the movie and fall asleep. The next morning, I wake to a house without power. This is not a surprise. Bills are frequently overdue. Sometimes the power is shut off. It usually comes back on after a day or so. There is never a need to worry. I go to school, and when I return home in the afternoon, the power is still off. My mother tells me we are going to stay the night at a hotel, and then tomorrow the electricity issue will be resolved.

She has a little over a week of free rooms saved up for the Majestic Star Casino & Hotel in Gary. Casinos don’t mind gifting their best customers room comps. It encourages them to never leave. And, once a week passes and we still haven’t returned home, I begin to wonder if we ever will leave. My father drops me off at school in the mornings then I take the bus home and sit in our house without power and read books and pet my dog and apologize for leaving her alone every night, that I wish she could be with us at the hotel. I read Chuck Palahniuk’s Survivor and Richard Price’s Clockers and I stare at my X-Box 360 and wonder how to eject Kiss Kiss Bang Bang from the disc tray without power. My father picks me up each day after he finishes his shift at the mill and we return to the hotel and eat McDonald’s. We are always eating fucking McDonald’s. The dollar menu is our religion. Another week passes and my parents decide to pull me out of school. It’s too much of a hassle for my father to drive from the hotel to my school to his work then back to our house then to the hotel again every day. My mother tells me they will just homeschool me for the last couple weeks of the school year, then enroll me in high school come August. When we run out of free room comps at the casino hotel and my father’s paycheck has dried up, we stay at my grandparents’ house in Hammond until payday comes around again. Every day after work my father drives to our house and feeds my dog and takes her out for a walk. One evening he pulls up in my grandparents’ driveway and gets out and tells me my bedroom window has been smashed in and the dog is gone. It is my thirteenth birthday.

Eventually a fight breaks out between my mother and grandmother and our presence is no longer welcome. We find a Super 8 in Portage that’ll give us a generous weekly rate. Just another week or two, I’m promised, then we will return home. I ask why we can’t just go back home now. I ask why this is happening. I ask why she won’t explain anything to me. She tells me to stop being a smartass. She tells me she means it. Over time I give up asking for answers. It’s clear I will never have them. I can make an educated guess and assume my mother’s gambling addiction has played a significant factor in our current lifestyle. Still, eventually this mess will work itself out and we will return to our house. I tell myself this over and over for months, until I finally realize I’m living in a fantasy world, that we will never go back there again.

We continue to live in the Super 8 for three more years.

2009

When I am sixteen, my parents rent a house with my brother and his girlfriend. I enroll in an adult high school and earn my diploma within two years. Sometimes we drive past the Super 8 on our way to Walmart and I place an open palm against the backseat window and stare at the building while my thoughts whirl up a tornado of depression.

2011

At age eighteen I buy a bus ticket to Texas with the funds earned from writing Wikipedia articles for indie authors. The articles last barely six months before an admin deletes them all. I take my copy of Chuck Palahniuk’s Survivor with me. The Lake Station Public Library will never see it again. I don’t know what happened to my X-Box 360 or the Kiss Kiss Bang Bang disc inserted into it. Probably pawned for extra double cheeseburgers from McDonald’s.

I vow to never step foot in another hotel for the rest of my life.

2012

I get a job as an overnight stocker at Walmart and last almost eight months before quitting for a new job with a retail warehouse called Garden Ridge. A month into the new job, I start applying elsewhere. The managers at Garden Ridge are monsters and treat their employees like garbage. The Atrium Inn interviews me for the night audit position. It goes well and I get the job. I sign the paperwork and shake the manager’s hand and I start walking across town to tell the managers at Garden Ridge to go fuck themselves. The Atrium Inn manager calls my cell phone halfway through Garden Ridge’s parking lot. He tells me somebody called in sick tonight and they need me to start immediately. I will be expected to work the shift by myself, with zero training provided. I suggest this might be an irrational plan, and the manager promptly fires me. My first hotel job lasts barely a half hour. A month later, Garden Ridge fires me for developing pneumonia. I spend the next three weeks applying to every business in town. Eventually I decide fuck it and try my luck with another hotel. Let’s call it The Goddamn Hotel, because that’s its name. I walk into the lobby and ask for an application and the lady behind the front desk tells me their full-time night auditor just put in her two weeks, so I apply for her position. I’m interviewed the next day and a month passes before they offer me the job.

2013

The city of Whiting, Indiana officially takes possession of the former Illiana Hotel via the county property tax sale process.

I create a Facebook group called Confessions of a Hotel Night Auditor to post about the weird shit constantly occurring at The Goddamn Hotel. It doesn’t take long for me to realize a novel needs to exist with similar content, and I begin writing one while working the night shift.

2015

I finish the final draft of the hotel novel. I title it No Sleep ’Til Dying. It’s the weirdest thing I’ve ever written, and probably the best. I lose track of what’s autobiographical and what’s fiction. It doesn’t matter. It’s all the same. Nothing is true. Everything is a lie.

I submit the manuscript to a handful of publishers and wait.

2016

DarkFuse, a small press of dark fiction, accepts the novel eight months after I send it to them. Their first editorial note is to change the title. I send them a list of possibilities and we eventually settle on The Nightly Disease. DarkFuse releases the novel as a serial on their website throughout the month of October. One chapter a night. They also open pre-orders for a limited edition hardback. It’s the first time one of my books has been published in hardback. We sell our fifty copies at $60 each by the end of the month. I sign the signature sheets with immense pride. We settle on a publication date for the trade paperback and ebook: April 2017. Then, in December 2016, I randomly notice the book is already on Amazon. I email DarkFuse and ask why it’s out early, why nobody told me. They explain they were going to tell me, they just haven’t gotten around to it yet. I think about why a family might move into a hotel and never return home. I think about my mom telling me not to be a smartass.

2017

Six months after The Nightly Disease is released, DarkFuse emails their authors and announces they will be discontinuing their paperback and eBook distribution. All titles published before 2017 will be released back to their authors. The authors are given a chance to sign a new contract to keep the books in print, but no author in their right mind would sign such a terrible document. Six months after my hotel novel came out, it died. Six months after I finally felt free from the hotel’s grasp, it had its hold on me all over again. I think about houses without electricity. I think about the Super 8 in Portage, Indiana. I think about how the owner of DarkFuse lives in Indiana, and how the state follows me wherever I go. Eventually DarkFuse will file bankruptcy and I will never see a dime of royalties from January – June 2017. All of my promotional efforts for the book have been wasted. I get real fucking depressed.

I have to email several websites who had agreed to review the hotel novel and let them know not to bother wasting their time. If a new audience can’t purchase the book, then hustling for reviews comes meaningless.

A question I start asking myself: “What’s the fucking point?”

Now that the book has been removed from distribution, the way I see it, I’m left with three options going forward.

  1. I self-publish it.
  2. I convince another press to reprint it.
  3. I let it die and move on to the next project.

Going the self-publishing route doesn’t seem too far-fetched, considering I’ve operated my own small press, Perpetual Motion Machine, for the last five years. I’ve yet to publish my own writing, not because I view self-publishing negatively but more because I prefer to keep my own writing and my publishing business separate. I feel like if I start publishing my own work through PMMP, then I risk criticism of playing “favorites” over the press’s catalog. It’s less complicated to just let another publishing company handle my writing.

The problem with approaching another press, of course, is that it’s going to be difficult to convince someone else to reprint a book that came out six months ago.

Which brings me to option #3: forgetting I ever wrote the damn thing and focusing on new books.

The process of writing a book is a lengthy endeavor. Even when you think you are finished, its completion will continue to stretch on and on until you’ve successfully pulled every strand of hair from your scalp, and even then it probably won’t quite be done. All writers must face the cold reality that no book is ever actually finished—they’re abandoned. Either you give up and send it out into the wild or you never stop fidgeting with it.

Solace is only gained once the book has been published, because the time to edit has passed. It’s too late to make any additional changes. Once it’s out, it’s out, and if you decide you want to change a couple things, well tough shit, it’s too late. It’s difficult to describe the relief that hit me once The Nightly Disease was released. I had been working on this book for a couple years, writing a scene here and there between interactions with guests at my job. After a while, like with any book, you start getting sick of it. You just want to be finished so you can move on to the next thing. I haven’t thought about writing the hotel book in a long time. I thought I was done with it. I thought I could wipe it from my memory. This is how I imagine most writers feel once they release a new title. They delete it from their brains to clear room for the next project consuming their every waking thought.

It makes sense, but it’s also foolish, because what happens when that book unexpectedly goes out of print and you’re forced to revisit it all over again?

Maybe it’s selfish to assume a novel will live forever. Maybe a novel should only last as long as its initial interest. Maybe six months is the perfect lifespan for a book. Any longer, and it’s just outstaying its welcome. There are so many books on this planet being published every single day, and it’s rude to take up any further space than we rightfully deserve. I think about my novel and I wonder if there would be any point in bringing it back to print. It had a good run, even if I didn’t receive any money from the piece of shit publisher who originally released it. The readers who would find it entertaining have probably purchased it by now and if it had stayed in print it would have just slowly faded into oblivion. Or maybe it was just about to hit a point where hundreds of new readers discovered it. There’s no way to tell with these things, especially now that it’s gone.

But will it stay gone?

No. Of course not. I consider letting it die every day, but the thought makes me sick. I can’t decide why I need it to be published again. I can’t force myself to forget it exists. It’s the most personal thing I’ve ever written, and to dump it in the trash feels like a sin.

So I go through the goddamn book again. I add a couple scenes here and there, but don’t change anything too drastically. I write a new introduction for it. I decide to call the introduction “A History of Hotels” because my life has been nothing but one hotel after another. Sometimes when I’m lonely at The Goddamn Hotel I call the Super 8 in Portage, Indiana and hang up after the front desk clerk asks how they can help me. I hang up and I cry and I don’t know why.

I will self-publish the book through my own press. Fuck it.

Five years after starting my employment at The Goddamn Hotel, I’m still here, writing this introduction behind the front desk while guests get drunk in the lobby. I will never leave. I will die here and management will simply bury my remains in the flowerbed in front of the building and a new night auditor will emerge from the earth. The cycle will never end.

Hotel is god. Hotel is god. Hotel is god.

Max Booth III

August 25, 2017


Purchase a signed copy of The Nightly Disease.

25

Today I turn 25. I’m writing this halfway through another night shift at the Goddamn Hotel. Earlier, a man repeatedly rang the front desk bell while I attempted to check him into a room, all while asking me, “Does this piss you off? Does this piss you off?” Anyway, it did indeed piss me off. I informed him of this and he did it once more and stopped and after he left I screamed into a pillow for a couple minutes.

Last night I participated in a monthly event called One Page Salon at the North Door in Austin, TX, with Andrew Hilbert, Zach Chapman, Patrice Sarath, David R. Perkins, and Philip Hauser. The event is, basically, each author reads one page from a work-in-progress. I was the last to read, so I read the last page from a novel that doesn’t exist titled Who Killed Lisa Winslow? I impressed the audience by first announcing it had recently been picked up for a Hulu original starring Al Pacino and Paul Giamatti. Halfway through the reading, probably after the second reference to a “dick tentacle”, most of them caught on that I am a lying piece of shit.

Here are some pictures from my reading:

DhOk8eOUcAAq_Fo

DhOk8eIUcAAjD-V

DhOk8egVQAEajqv

As you can see, I am still very much a disgusting fat person. I’m sorry.

I have two more readings scheduled for the month of July. On the 13th, I’ll be attending the Cockroach Conservatory Launch at Radio Coffee & Beer in Austin. Music by Scott Collins, Evan Runyon, Xavier-KITEZ, and Batty jr; readings and appearances by myself, Michael Louis Dixon, Cheryl Couture, and more! Hosted by Andrew Hilbert. Then, on the 28th, you can catch me in St. Louis at Meshuggah doing a Noir at the Bar with Jedidiah Ayres, Jen Egan, Amanda Gowin, Chris Orlet, Scott Phillips, and Tawny Pike. And, of course, near the end of August we will be at Killercon in Austin. My small press, Perpetual Motion Machine, is the convention’s sponsor.


Here are some writing/editing updates:

  • The Nightly Disease is still available, self-published under PMMP after DarkFuse fucked me over and filed bankruptcy. Reminder: if you purchased the novel through DarkFuse, I was never compensated for it, as the publisher neglected to pay me any royalties for the paperback and eBook. Maybe one day I’ll see a check from the courts but I sure doubt it.
  • I have finished two new novels, both of them currently without a home: Carnivorous Lunar Activities and Who Will Survive and What Will Be Left of Them (in previous blog posts I’ve referred to this latter novel under various other titles, such as Cirrhosis and The Evocation of Mother. For now, I’m sticking with WWSAWWBLOT). I’m shopping both of these novels, as well as a new story collection titled Give Me Your Teeth, to small presses and agents. More news on these three books when any becomes available.
  • Lori and I edited a new anthology together. It’s called Lost Films and it features new original stories from the following talented folks: Brian Evenson, Gemma Files, Kelby Losack, Bob Pastorella, Brian Asman, Leigh Harlen, Dustin Katz, Andrew Novak, Betty Rocksteady, John C. Foster, Ashlee Scheuerman, Eugenia M. Triantafyllou, Kev Harrison, Thomas Joyce, Jessica McHugh, Kristi DeMeester, Izzy Lee, Chad Stroup, and David James Keaton. It’s actually also Lori’s birthday today, so if you wanted to get us both a present I highly recommend pre-ordering a copy of this anthology.
  • David James Keaton and I are currently reading hundreds and hundreds of stories submitted to us for our new “pizza horror” anthology, Tales from the Crust. The open call period is now over, so please don’t send us anything else. We’re hoping to have final decisions made by the end of August.

Last week, Paul Michael Anderson (author of Bones Are Made to be Broken) joined us on Castle Rock Radio (my Stephen King-themed podcast) to discuss SK’s short story “Squad D”, which has never been published before. King once submitted it to an anthology titled The Last Dangerous Visions, way back in the day, to editor Harlan Ellison. However, Ellison correctly rejected the story. But also, that anthology? It was never released, either, and its entire history is very weird and interesting. Paul, notable Ellison scholar, was kind enough to tell us all about it. This was on Wednesday, we had this conversation, this hour-long podcast about Harlan Ellison. On Thursday morning, after I got home from my night job, I stayed up until almost noon editing it, then uploaded it and promptly fell asleep. Hours later, Lori shook me awake, hysterical, screaming that we killed Harlan Ellison. I looked at my phone and found my messages ambushed with people implying we were responsible for this unfortunate news.

While I seriously doubt we had anything to do with his death, it is true: the dude died the same day I uploaded our Harlan episode. It’s very weird and I’m not sure what else to say about it. Harlan wasn’t a great human being but he was a good writer and a good advocate for writers’ rights. I don’t know if I have any other thoughts about the issue right now, but if you’re interested in listening to the episode, you can check it out here.

Also, hey, if you wanted to get Lori and I another birthday present, why not go subscribe to our podcast? And also rate and review it on iTunes? That won’t cost ya a gosh darn thing! But it’ll certainly help us a ton. Every rating the podcast receives on iTunes, the higher it’s bumped and the more of a chance random strangers will discover it.


Being 25 doesn’t feel much different from being 24. I stopped drinking several months ago and I feel the same. I wasn’t an alcoholic by any stretch, but it also wasn’t doing me many favors, so fuck it. I had started relying on it too much whenever I performed for an audience and appeared on a podcast and I could see how something like that could take over a person’s life, so I stopped cold before anything could progress. I come from a family of addicts. I understand the score.

I should probably have specific goals for this new age, but I don’t. I’m just going to keep doing what I’m doing. More work on Perpetual Motion Machine, more writing, more podcasting, more live performances, more complaining about how tired I am on twitter. The same old, same old. Maybe I’ll sell these three books I’m shopping around or maybe they’ll fade away into the great nothing like we all eventually do. I’ll write more books and I’ll publish more books and I’ll record more podcasts and I’ll get on more stages and make more audiences laugh and then and then and then I don’t know.

I guess one day I’ll be dead and that will be fun and cool.

Until then, I’m still on Patreon.

Tragedy Queens – And All the World Drops Dead

I have a new story out in Leza Cantoral’s anthology, Tragedy Queens: Stories Inspired by Lana Del Rey & Sylvia Plath.

DWGB9iGUQAAutOO

My story is called “And All the World Drops Dead” and it was very much inspired by both Plath’s “Mad Girl’s Love Song” and Del Rey’s “Ultraviolence”. I had a lot of fun writing the story. It’s basically a weird, road-trip drug-high about a transgender woman with a gun and her new lover fleeing from the lover’s husband, who happens to be cursed with immortality. He’s also an asshole. I’m considering maybe expanding it into a full-length novel. There is definitely something more there, waiting to be unearthed…

Anyway, check out this table of contents:

  1. THE BLACKLIST: KATHRYN LOUISE
  2. CRAZY MARY: PATRICIA GRISAFI
  3. PIPEDREAMS: DEVORA GRAY
  4. AND ALL THE WORLD DROPS DEAD: MAX BOOTH III
  5. WITHOUT HIM (AND HIM, AND HIM) THERE IS NO ME: LAURA DIAZ DE ARCE
  6. GOING ABOUT 99: CHRISTINE STODDARD
  7. THE LAZARUS WIFE: TIFFANY MORRIS
  8. STAG LOOP: BRENDAN VIDITO
  9. SP WORLD: LORRAINE SCHEIN
  10. A GHOST OF MY OWN MAKING: ASHLEY INGUANTA
  11. LOOSE ENDS: A MOVIE: TIFFANY SCANDAL
  12. GIRLS IN THE GARDEN OF HOLY SUFFERING: LISA MARIE BASILE
  13. THE GODS IN THE BLOOD: GABINO IGLESIAS
  14. THE LAND OF OTHER: FARAH ROSE SMITH
  15. SAD GIRL: MONIQUE QUINTANA
  16. CORINNE: JC DRAKE
  17. SPHINX TEARS: CARA DIGIROLAMO
  18. RITUALS OF GORGONS: LARISSA GLASSER
  19. THE WIFE: VICTORIA DALPE
  20. DAYGLO REFLECTION: MANUEL CHAVARRIA
  21. CATMAN’S HEART: LAURA LEE BAHR
  22. PANIC BIRD: SELENE MACLEOD
  23. BECAUSE OF THEIR DIFFERENT DEATHS: STEPHANIE WYTOVICH

Buy Tragedy Queens here.

Four New Stories (Shadows Over Main Street, Tales From the Lake, Unnerving Magazine, Crime Syndicate)

This month has been hectic as hell. I’ve been reading submissions for my new anthology, Lost Films, putting the finishing touches on upcoming PMMP titles, and working on my next novel. The novel, currently titled Who Will Survive and What Will Be Left of Them, just hit the 50k mark, which I think will end up being the halfway point for this particular book. It’s hard to tell when you don’t outline. I’m also shopping around my latest finished novel, Carnivorous Lunar Activities.

But also, I’ve had four new short stories published this month, and I’ve neglected to do my part promoting them. So I thought I’d make a quick blog post here and tell you a little about them.

First up, we have…

“Disintegration is Quite Painless” published in Shadows Over Main Street Vol. 2

SOMS2-COVER

Featuring stories by: Joyce Carol Oates, Gary A. Braunbeck, John F.D. Taff, Lucy A. Snyder, Joe R. Lansdale, Max Booth III, Jay Wilburn, Suzanne Madron, C.W. LaSart, Ronald Malfi, Eden Royce, Damien Angelica Walters, Douglas Wynne, Michael Wehunt, Erinn Kemper, James Chambers, and William Meikle. With a foreword by Laird Barron and stunning illustrations by Luke Spooner.

Check out Spooner’s kickass interior illustration for my story:

23192791_10100918722350254_195320665_n


 

“Whenever You Exhale, I Inhale” published in Tales From the Lake Vol. 4

Tales-from-the-Lake-vol-4-small

Featuring stories by: Jennifer Loring, Joe R. Lansdale, Kealan Patrick Burke, T. E. Grau, Damien Angelica Walters, Sheldon Higdon, Max Booth III, Bruce Golden, JG Faherty, Hunter Liguore, David Dunwoody, Timothy G. Arsenault, Maria Alexander, Timothy Johnson, Michael Bailey, E.E. King, Darren Speegle, Cynthia Ward, Michael Haynes, Leigh M. Lane, Mark Cassell, Del Howison, Gene O’ Neill, and Jeff Cercone.


 

“Boy Takes After His Mother” published in Unnerving Magazine Issue #4

20604293_1917506251847180_807140603891661055_n

Issue #4 of Unnerving Magazine is the biggest yet, loaded with monsters, devils, ghosts, the undead, rotten sons ‘o… and so much more. Gwendolyn Kiste offers up literary Halloween costume ideas while Stephen Graham Jones and Mark Allan Gunnells chat life’s most important holiday.


 

“Below the Angels” published in Crime Syndicate Issue #3

Issue Three Cover FINAL

Crime Syndicate Magazine is back with ten fantastic crime fiction short stories from some of the top crime writers on the market today. Guest-edited by Eryk Pruitt, this issue has a little something for everyone: Work out your drugged-out marital problems and feed your family from the East Texas countryside in Eryk Pruitt’s “The Deplorables. Find out if you’re being detained, and what depraved results the answer might hold in Kevin Z. Garvey’s “Good Cop Bad Cop.” Reach for the sky and fall through the floor in Max Booth III’s “Below the Angels.” Can you escape a schmuck’s fate in Dennis Day’s throwback historical noir story “Schmuck?” Help your new college bestie murder a New Orleans local “god” in Nina Mansfield’s “Gods and Virgins in the Big Easy.” Think twice before you front on an old schooler in S.A. Cosby’s “Slit the Belly.” Take in the beard cream smell while you take down some skinny jeans in Travis Richardson’s “Hipster Pantsin’.” Show off your new racist jail tat while you dredge up demons from the past in Paul Heatley’s “The Whitest Boy on the Block.” Get your trap music murder on in Allen Griffin’s “Dirty South of Heaven.” “Take down career criminals and the ghosts from your past in David A. Anthony’s “The Contractors.”

 

Horror Western Novella, BLACK, Featured on GREAT JONES STREET

Eryk Pruitt has taken over Great Jones Street this week and he’s chosen my horror western novella, BLACK, as the story-of-the-day. You can read it in full HERE. Also, look at this artwork. Oh my god.

blackgjs

Someone sold Charlie Lansdale’s soul to the devil. Now he lives a life of crime and tragedy he’ll never escape, much like the jail cell of the small Texas town in which he sits when Hell comes to collect. Outside is a chaotic horror show, and there’s nothing Charlie nor Marshal Ray Bennett can do about it.

It’s kind of an older story, so it’s a bit rough, but I still think it’s pretty good. I’ve been toying with the idea of rewriting it into a full-length novel, actually, so this comes at a nice time. BLACK was originally published in an anthology called WELCOME TO HELL then was later reissued as a standalone through Hazardous Press (which has, of course, gone under). What do you think? Interested in reading a novel version of this story? Let me know!

Also, if you haven’t already ordered Eryk Pruit’s new novel, what are you waiting for?